Artist Chamber Music Series: July 19, July 26 & August 2, 2025
Saturday nights at St. Mary Magdalene, 335 Main Street, Picton
Art and Healing: In the face of strife – experienced internally, interpersonally, or internationally – where do we turn? This summer’s programs will provide reflections on the human capacity to heal – through cathartic expression, love, and community.
Season Pass Tickets
Part 1: Catharsis | Saturday, July 19, 2025 at 7:30pm
Dorothy Ro and Chloe Chabanole, violins; Eric Wong, viola; Thomas Beard, cello & Angela Park, piano, with guest dancers from the Quinte Ballet School.
July 19th Tickets
Performing:
Francis Poulenc: Sonata for Violin and Piano, I. Allegro con fuoco
Mozart: String Quartet K. 160
Philip Glass: “Mishima” from String Quartet No. 3
Nick Revel: Time Capsule for String Quartet
Ernest Bloch: Piano Quintet No. 1
Part 2: With Heart | Saturday, July 26, 2025 at 7:30 p.m.
Tokai String Quartet with Mikael Darmanie, piano, and Rebecca Kenneally, soprano.
July 26th Tickets
Performing:
Prokofiev: Sonata for 2 Violins, I. Andante cantabile, II. Allegro
François Couperin: Les Barricades Mystérieuses et La Visionnaire
Oscar Peterson/Mikael Darmanie: Tunes & Improvisation
Clara Schumann: “Ich stand in dunklen Traümen”
Robert Schumann: “Widmung”
Dana Wilson: Hungarian Folk Songs
Henry Purcell: Fantasia Z. 735
Samuel Barber: String Quartet Op. 11
Johannes Brahms: Piano Quintet in F Minor, II. Andante, un poco adagio
Part 3: Family & Community | Saturday, August 2, 2025 at 7:30 p.m.
Marie Bérard, violin, Rohan Gregory, violin, Amadi Azikiwe, viola, Paul Widner and Susan Gagnon, celli, Charlotte Hill, piano, and Nick Bobas, bass.
August 2nd Tickets
Kian Ravaei: Family Photos (2021), I. At the Carnival, II. On the Tehran Tower
Haydn: String Quartet Op. 33 No. 1
Dvorak: Bass Quintet, I. Allegro con fuoco
Gustav Mahler: Piano Quartet in A Minor
Samuel Coleridge-Taylor: 5 Fantasiestucke
Join us after the concert for a post-season meet and greet with the artists! Wine provided by Broken Stone Winery.
